Tuesday, September 27, 2011
The review is in...
photo by Matthew Murphy
"It is dangerous. It is thrilling. Give me more."
"...oddly intriguing and absurd."
"Some of the most specific and stirring moments occur when the four diners completely utilize their bodies and full out movement technique"
-Christine Jowers, Dance Enthusiast
click here to read the entire article on the Dance Enthusiast's site:
http://networkedblogs.com/n1kdc
Thursday, September 8, 2011
Meet the Artists: RACHEL
Rachel Mckinstry, born and raised in Youngstown, Ohio, improvises her way, trying to reside in the space between 4 and 5. She received a Bachelor of Fine Arts in dance performance/choreography from the University of Michigan Ann Arbor in 2002 and made her way to NYC. Rachel co-founded Launch Movement Experiment in 2005 in NYC and has been creating danceart with Launch ever since.
Here is some of Rachel's research for The Supper:
Wednesday, September 7, 2011
Meet the Artists: LIZ
Liz Riga, direct from the Motor City, received a Bachelor of Fine Arts in dance performance/choreography from the University of Michigan Ann Arbor. Liz ventured to NYC in 2001 where she attended New York University’s Tisch School of the Arts and received a Master of Fine Arts in dance. She has been using her creative juices as a co-founder/art maker of Launch Movement Experiment since 2005, making it her vehicle for expression in an attempt to extend beyond the status quo. In addition to her Launch dance party, Liz worked extensively with Keigwin & Company, creating, performing, touring, and teaching as an original member of the company.
Check out Liz in rehearsal for The Supper.
She always serves quality... werk.
Tuesday, September 6, 2011
Meet the Artists: ANDY
Andy Dickerson is the Resident Lighting Designer and Technical Director of Triskelion Arts, and is honored to have the opportunity to light Launch Movement Experiment for a 5th time. In addition to Triskelion Arts, he has worked at Joyce Soho, Center for Performance Research, Theater for The New City, Gene Frankel Theatre, Lehman college, and others, and has worked with such companies as Abby Bender Schmantze Theatre, Jessica Gaynor Dance, The Roxanne Lola Movement Machine, White Road Dance Media, NuDance Theater, Fools on Fire, and many more.
check out his magic:
www.cirquethis/lighting
www.launchmovementexperiment.com
Sunday, September 4, 2011
Meet the Artists: JEFF
Jeff Poulin is an artist and lifestylist currently living in Brooklyn, New York. Inspired by dark fantasy, pop culture, and noir, Jeff launched a fashion brand under the name Thou Art Uncouth in 2007. Jeff has design for major entertainment studios including Marvel Entertainment and NBC Universal, and has released a limited edition hand bag collection.
Jeff designed and constructed all the fashion for The Supper. It's sleek, twisted, dark. Just like Jeff. Come see...
Friday, September 2, 2011
Meet the Artists: RICHERT
Richert Schnorr is a designer, videomaker, artist and performer who creates work across mediums and genres. His personal work explores how the meaning of identity has changed in the age of the internet. This work was recently showcased as his MFA Thesis, which he earned in Design and Technology at Parsons the New School for Design in 2011. He is also a nightlife performer and boylesque artist who has worked across NYC. His web/design/video clients include Jessica 6, Amanda Lepore, Cazwell and Ultra Nate.
www.richertschnorr.com
Richert created The Supper's Sneak Peak Video. He will be showing a new video piece at the show AND he is one of the performers in The Supper!! oh, yeah.
Wednesday, August 31, 2011
Meet the Artists: MATTHEW
Matthew Baker originates from Ann Arbor, Michigan, where, before launching into the dance world, he began his movement exploration as a gymnast and soccer player. Prior to relocating to New York City, Matthew received his BFA Degree in Dance from Western Michigan University in April 2008. In addition to his work with Launch, Matthew has been a member of Keigwin & Company since 2009. In 2010 Matthew enjoyed assistant choreographing alongside Larry Keigwin for Vogue's "The Fashion Show", New York's largest fashion show in history. Also in 2010, Matthew began creating and exploring with Launch and has continued collaborating since.
Watch some of Matt's sweet moves
in The Supper's rehearsal process:
Monday, August 29, 2011
Meet the Artists: FADE
Fade Kainer is a NYC-based musician/vocalist/producer/remixer. His current projects include industrial/metal band INSWARM and the doom outfit BATILLUS in which he contributes vocals, synths, and samples. Fade is also a live member of JARBOE. His solo project, STATIQBLOOM, is an ambient/electronic/noise project that has been described as "atmospheric music mostly composed in stream of thought, drifting at times from melancholy and sparse, to dense and haunting". Fade was the vocalist/songwriter of the industrial metal group, Still Life Decay (2002-06). Other projects include collaborations with Hekate, love is nothing, Ascension of The Watchers (live drummer 2005-06). In addition, he has remixed many bands including Fear Factory, Secrets of the Moon, Black Sun, Side 3. In 2007, Fade began composing music for Launch Movement Experiment, collaborating with the dancers to create "sonic scenery".
www.batillusdoom.com
www.myspace.com/inswarm
Wednesday, August 24, 2011
Meet the Artists: PATRICK
Patrick Ferreri has been exploring movement for as long as he can remember and against all logic, he keeps going. His investigations, oft excavations, have brought him into the company of too many amazing artists to list here, but since you are reading this you are probably curious so they have included David Dorfman Dance, Clare Byrne, Sara Shelton Mann, Albert Mathias and Kathleen Hermesdorf. He is currently inspired by cinematic viewings of the word, cloud patterns and plays of light in the sky, the drama we keep beneath the surface but secretly love to let "slip" out. He has spent the last two years on the west coast fostering and supporting a polyamorous love affair between adrenaline, caffeine, and glitter which has manifested in biking around San Francisco, hanging out with drag queens, eating, and thinking about audience engagement in art.
Patrick's Work:
Monday, August 22, 2011
Friday, August 12, 2011
Sunday, July 31, 2011
video shoot
Richert Schnorr is creating some video art for the project! About a week ago, he directed the first round of takes.
IT WAS A BLAST!!!
He is creating a sneak peak video which we will be posting and sending out prior to the show. He is also creating a video that will be shown before and after the show. AND, he is performing in the piece! We are excited to incorporate this element and his genius as part of the project.
Video coming soon... yeah.
Thursday, July 14, 2011
what we have been up to : PART 2
notes and thoughts:
working with a confined space on the floor. I am not sure how i will confine myself? Confinement makes we wonder about both sides of the defined lines. What happens inside? outside of the them? closer/farther away?
patrolling. flashlights.
being confined to a specific area. confining something to a specific area. prisoner.
vast emptiness, confusion, disorientation, repetition.
lonely.
synopsis: she builds her own cell. she enters and exits it as she pleases. when she is inside her cell, she finds comfort in her loneliness. when she steps outside of it, she is disoriented, confused, short of breath, unable to exist without it. It repeats. The journey, her pattern, it remains the same. The external elements change. she doesn't.
to encompass all of the above research, I decided to repeat the same movement/spatial pattern three times, each time with a different prop and a different group of sounds. by doing so, i wanted to see how the varying themes within the piece influenced what i presented and what the audience received. Doing this, allowed me to try to conducted a real-time study of perception and perspective from my point of view as the performer as well as from the point of view of the viewers.
here is some of it:
working with a confined space on the floor. I am not sure how i will confine myself? Confinement makes we wonder about both sides of the defined lines. What happens inside? outside of the them? closer/farther away?
patrolling. flashlights.
being confined to a specific area. confining something to a specific area. prisoner.
vast emptiness, confusion, disorientation, repetition.
lonely.
synopsis: she builds her own cell. she enters and exits it as she pleases. when she is inside her cell, she finds comfort in her loneliness. when she steps outside of it, she is disoriented, confused, short of breath, unable to exist without it. It repeats. The journey, her pattern, it remains the same. The external elements change. she doesn't.
to encompass all of the above research, I decided to repeat the same movement/spatial pattern three times, each time with a different prop and a different group of sounds. by doing so, i wanted to see how the varying themes within the piece influenced what i presented and what the audience received. Doing this, allowed me to try to conducted a real-time study of perception and perspective from my point of view as the performer as well as from the point of view of the viewers.
here is some of it:
Friday, June 10, 2011
what we have been up to: PART I
finally ready to start blogging again...
we have been developing and compiling material for a duet for Liz and Baker from improvised studies that have been documented over the past year.
the duet is becoming a private conversation in a public place. the dueters bombard each other with information and each decides how to deal with the information being presented given the location.
the notions of perception and perspective resurface.
words that are informing the duet intentions:
catching
separate
grab
throw
coincidence
toss aside
hand holding. hand shake
interruptions
shh...
not now
we have been developing and compiling material for a duet for Liz and Baker from improvised studies that have been documented over the past year.
the duet is becoming a private conversation in a public place. the dueters bombard each other with information and each decides how to deal with the information being presented given the location.
the notions of perception and perspective resurface.
words that are informing the duet intentions:
catching
separate
grab
throw
coincidence
toss aside
hand holding. hand shake
interruptions
shh...
not now
Wednesday, February 2, 2011
approaching theorem
Over the past few months (we took December off to refresh), we stepped out of the studio to examine the ideas and theories that we discovered in the studio. No movement. For now, I am not going to discuss how these ideas will be physicalized.
below is a sampling of some of my notes...
behavior: in response to a particular stimulus or situation. why do we behave this way or that? and how can that be manipulated?
Dr. Ewan Cameron: there were two main factors that allows us to "maintain a time and space image", a.k.a know where and who we are: (a) "continued sensory input and (b) our memory." he worked for/ with the CIA's mind control program. he devised the CIA's psychological torture method.
electroshock, isolation, continuous sleep.
"We are bemused and crazed creatures, strangers to our true selves" R. D. Laing
perception
perspective
vantage point
icon vs reality
interference
obedience
fear
shock
below is a sampling of some of my notes...
behavior: in response to a particular stimulus or situation. why do we behave this way or that? and how can that be manipulated?
Dr. Ewan Cameron: there were two main factors that allows us to "maintain a time and space image", a.k.a know where and who we are: (a) "continued sensory input and (b) our memory." he worked for/ with the CIA's mind control program. he devised the CIA's psychological torture method.
electroshock, isolation, continuous sleep.
"We are bemused and crazed creatures, strangers to our true selves" R. D. Laing
perception
perspective
vantage point
icon vs reality
interference
obedience
fear
shock
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