sentencing
variation
stillness
pause
silence
exit
audience
body part
limitation
mirroring
aim to put the studies on the stage
content = location
meditate on the choice, let it happen for a bit
the viewer gives real-time feedback
Cotton balls
Black tape
Newspaper
Styrofoam
the viewer contributes to the improvisation
listen.
EXPOSURE
Deconstruction= we take what is known of the form, breaking down familiarity into its parts, changing the physical identity and then reassembling the pieces in new ways. The form is new; but, the sensory connections to the "known" model remain.
Motivations: a defined set of tools.
Motive: points of interest that create artful weaving of motives through variation into ever changing lines, pre-ordained so the viewer knows intuitively where we are going even though the overall composition is being created instantly through an intricate form of theme and variation.
What is a response?
an acknowledgement
a shift
a welcome
support
a pause
a direction change
an exit
an entrance
-Rach
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